Phone: 02 9557 7440   |   Email: sales@classic-hifi.net   |   LOCATION:550 King Street, Newtown NSW 2042   |  CORE HOURS: 11am-6pm Tuesday - Sunday

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Amplifiers

QUICK UPDATE

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UP-COMING EVENTS, RECORD FAIRS OR SPECIAL OFFERS

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2017 AUSTRALIAN RECORD FAIR – VINYL IS THE NEW BLACK

Thousands of Records, Turntables Galore and The Best Of The World’s Music Replay Equipment in One Place, across three great days, Friday 3rd through Sunday 5th November, 2017.

Vinyl is the new Black, or something like that (-: and at the 2017 Australian Record Fair, visitors can browse many thousands of new and used Records, Music Memorabilia and accessories from some of Australia’s best vendors.

Attendees will also see and hear a wide range of entry-level to audiophile-grade turntables. No rubbish one-box record players here!

Record retailers from across the country are bringing their extensive collections of music from all genres, including rarities, collectables and more. With the huge level of interest in Vinyl Records the world is currently experiencing, it’s never been easier to access wonderful pressings, new and old.

Co-located with the Australian Record Fair is the Melbourne International Hi-Fi Show.

If you have any interest at all in music or movies in the home, Melbourne is THE Show to see and get a heads up on current technology and trends. The show opens on Friday 3rd November and is set for success, with over 150 brands and dozens of exhibitors from around the world.

The International HiFi & Audio Visual Show is a show like no other, and not to be missed.

  • When:Friday 3rd – Sunday 5th November 2017
  • Where:Pullman Mercure Hotel, 65 Queens Road, Albert Park, Melbourne, VIC, 3004
  • Opening Hours
    Friday 3rd November:  1:00pm – 8:00pm
    Saturday 4th November:  11:00am – 5:00pm
    Sunday 5th November:  11:00am – 5:00pm

How much for normal people? – $22 for a day pass / Students $15 (with ID)
A special deal for enthusiasts – $50 for the three day VIP pass entitles the holder to unlimited entry to the show across all three days, plus entry 1 hour before General Admission each day.
Avoid the crowds and noise to hear the systems you want to hear, as well as the ability to dig through the crates in the Record Fair before anyone else.

CRUNCHY BARGAINS GALORE

Bring your wallets as there will hundreds of bargains and offers from the exhibitors.

ORGANISED AND PROMOTED BY STEREONET

The International HiFi Show and Australian Record Fair are presented by Australia and New Zealand’s leading Audio Visual, Lifestyle & Technology publication, StereoNET.

For more information visit Australian Record Fair.

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If you’re aware of any other up-coming events that would interest our followers, let us know….

DIGGIN’SYDNEY IS LIVE AGAIN IN 2017!

A comprehensive guide to where all the vinyl shops are in Sydney – a must for the vinyl collector, whether new or used, singles or LPs.

The website launched on 20th April 2013 (www.digginsydney.com), has been updated to the new 2017 version – participating Record Stores already have the handy guide maps – available free! You can also download the map & key from that site.

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HOW TO CHOOSE A STEREO AMPLIFIER

 Firstly, you need to understand what types there are:

There’s the ‘Pre-Amp’ – simply it’s a the switch box selector (phono/tuner/tape/aux) with the ability to manipulate the sound with knobs such as treble/bass/volume.

Here’s an image of a Pre-amp & Power amp:

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The Pre-amp sends the audio to a Power Amp which amplifies the sound (this is where the ‘grunt’ is provided). The Power amp drives the speakers.

Then there’s the Integrated amp – The Pre-amp & the Power amp, integrated into one box!

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Finally there’s the Receiver – an Integrated amp with a radio tuner built in – in Classic HiFi’s context, that means an AM/FM radio.

If you think you may want to listen to the radio, get a receiver, they are beautiful to behold. They are easily identified as they have a radio ‘dial’ across the front panel.

Most of our customers choose an integrated amp or a receiver – they both accept Turntables as a source, as well as iPods, CD or DVD players, even audio from your TV or computer.

OUR TAKE ON ‘CLASSIC AMPS VERSUS MODERN AMPS’

In a nutshell, it comes down to dollars!

Quality amplifiers in the 70’s & 80’s, on average, cost about 1/2 the price of an average motor vehicle!

Spend that sort of money today & you’ll get yourself a truly ‘killer’ amp.

Spend $500 to $800 today on a quality classic amp compared to the same value on a modern amp, and the difference will be like chalk & cheese – just the weight of the old amp will indicate quality – to smooth out our rough old 240v power supply, you need transformers & copper wire that’s heavy – pick up a modern amp for that value & it’ll be like a black empty shoe-box! Pick up a quality modern amp (say $10,000 worth) & it’ll be heavy, really heavy.

These quality issues also extend to nearly every other part in the amp – the capacitors, transistors, resistors etc. Whereas in modern budget amps mostly made in Asia somewhere, are just that – a budget product for a fast living, disposable orientated consumer.

To the retro buyer, quality and style oozes out of the classic amps – steel chassis, steel covers, solid alloy fronts & knobs, VU meters, timber cases, all things beautiful!  Play with the front of a modern budget amp (say under $1000) & it’s all plastic.

What about the sound they produce? The sort of classic quality amps we stock, offer a wonderful tonal warmth only the highest quality amps produced today can offer.

Here’s some un-solictored words from a recent client who bought a gorgeous old Linear Design amp –

“just want to say how pleased i am with it – it is a beautiful amp in every way and compliments my ancient honky old speakers beautifully. i put it to the test – which means both sides of yes’s “close to the edge” on vinyl quite loud and it really delivered. it even makes those silly little CDs sound good. i couldn’t be happier. thanx again.”

WATTS AINT WATTS!

 

When helping our customers selecting an amplifier, we often explain that ‘Watts aint Watts!’

As mentioned elsewhere in this Notice Board, usually, the power or watts that an amplifier generates is nearly the last consideration.

How loud an amp can sound depends on a number of other factors, including the input source level and more importantly the efficiency of the speakers that the amp is driving – if speakers are efficient, it won’t take much power to drive them to ear-shattering levels, but if speakers are in-efficient, a very powerful amp is needed to get a modest volume out of them!

Broadly speaking, modern speakers are less efficient than those from the 60s,70s,80s, mainly because in those days, the amps made then, were much more modest in output.

But rated volume outputs of amplifiers expressed in Watts RMS (Root Mean Square referring to the mathematical calculation where it’s worked out!) can’t be used to compare amps either! Constantly we come across amps rated in the 1000’s watts, that aren’t as powerful as a modest 35w amp from the 70s! It all depends on the parameters an amp manufacturer use’s when quoting power – some are only using middle frequencies (the easiest power to achieve), or momentary peak power without reference to distortion, or even with one channel driven.

The only way to tell, is to compare ‘apples with apples’, that is delivery of full rated power continuously, through the audible frequency range, into 8ohm speakers with both L&R channel s driven.

Yes, it’s great to have full power at the extreme audio frequencies which give life and excitement to music, but then there’s the neighbours!  In todays more confined living environments, big thumping audio systems can be the source of dis-course, even feuds!

Don’t judge an amp by it’s quoted power, or distortion, or frequency range – judge it by how it sounds to you into the speakers it will be driving.

PHONO PRE-AMPLIFIERS

Whilst all our classic amps have ‘Phono’ inputs for turntables, the same can’t be said for modern amps.Lots of audio manufacturers dropped ‘phono’ inputs on amplifiers in the 90’s – they thought vinyl had gone away……….silly them!Consequently, we get lots of enquiries on how to connect turntables to amps that have nothing more than ‘Aux’ inputs, even on Home Theatre Receivers.Yes, there’s an easy fix.It’s called a ‘Phono Pre-Amplifier’ – a little powered unit that equalizes & boosts turntable output via the standard RCA sockets from the turntable for input into any ‘Aux’ input of any amplifier. Typically, this is what they look like:For those of you who are struggling to hear a decent reproduction of your vinyl, it will be dawning of a new era! It’ll make your records sound awesome!From as little as $88 for the entry level unit, they are worth every cent.Here’s the link to ours:http://www.classic-hifi.net/range-products/?product_id=286There’s also another version of this entry level Phono Pre-amp – it also has a switchable Phono/Aux input to preserve the Aux input taken up by this Pre-amp, so you don’t loose that input!Here’s the link:http://www.classic-hifi.net/range-products/?product_id=1331Of course, there are many higher end versions & without going berserk (they can go up to the $1000’s) the ProJect Pre-amps which we stock, carry our recommendation for those who want that little bit more from their vinyl.The ‘Phono Box II’ is the next step up (at $249) with MM/MC capability for those who might want to investigate the world moving coil cartridges at some stage:Next, there’s the ‘Phono Box USB’ ($279) with all of the above plus a USB output for direct connection to a computer:

Finally, in the Project range there’s the 2x valve version ‘Tube Box’ ($599) to engender that beautiful warmth that only valves can:

Over and above, we stock the likes of Michell, Creek, Musical Fidelity, Ortofon, QED.

 

Disclosure: if we inadvertently breach any copyright material anywhere on this site and you are the owner thereof, please contact us directly and we will take immediate action to your satisfaction.
PLEASE NOTE OUR TERMS AND CONDITIONS OF SALE
  • Our stock has been selectively acquired by Classic HiFi, tested extensively & serviced where necessary.
  • All stock are genuinely original, used, quality components from decades past and are offered for sale as inspected by you – you cannot expect them to be in new condition.
  • All our products carry our 3 month warranty, but coverage does not extend to mis-use, in-appropriate connections, or consumables such as amplifier facia globes, valve tubes and turntable styli or belts.
  • You are encouraged to audition in-store, as exchanges are only agreed to within the first 2 weeks after purchase for major faults undetected by our servicing regime. If repair cannot be completed within a reasonable time a refund is available on production of our Tax Invoice issued to you at the time purchase.
  • We encourage you to attend to your own installations as we assist in-store with set-up advice.
  • If you require shipping, you understand that whilst we do our best to pack, and that we cannot be held responsible for items damaged in-transit.
  • A minimum deposit of 20% is required to reserve stock for you, and the maximum term for payment in full is 3 months. After 3 months, uncollected goods will be returned to stock and deposit funds will be held as a store credit for 12 months.
  • Any order cancellations prior to delivery or collection, incur a 20% fee, levied against the gross price.